(via) Philadelphian designer James McNabb creates these beautiful “City Spheres” using scrap wood, and we think someone from Vancouver should give it a shot employing native woods and our own skyline. Bonus awesomeness: check out his City Wheel. How cool is that?!
This video is a typographic representation of noted storyteller Ira Glass’ famous quote about the gap between a creative person’s good taste and their actual skills. Whether you’re a chef, a wine maker, an architect, or a public relations executive, if you’ve had a tough day in your line of work, Glass’ quote has always made for a good, inspiring listen, and now, with this new interpretation by Daniel Sax, it also makes for a good watch. “I made it for myself and for anybody who is in doubt with his/her creative career,” Sax says. “I also think that Ira Glass’ message isn’t only limited to the creative industry. It can be applied to everyone who starts out in a new environment and is willing to improve.” Enjoy!
(via) This little cabin designed by Finnish escapist Robin Falck was a solution of sorts to getting around government regulations that require a building permit for residential structures over 100 square feet (the same red tape exists here). His two story cabin has a kitchen, bathroom, living room, bedroom, and a ton of natural light, not to mention a kickass outdoor deck. “Nido”, as the cabin is called (meaning “Bird’s Nest” in Italian), took just two weeks to build, and sits in the peace and quiet of a rural archipelago.
Nearly a year ago, we published some photographs of a coffee table that had been cut to the shape of the state of California (see above). We closed the piece out with these words: “The outline of BC is similar to California’s, only ours is significantly fatter, which is to say it would make for a far more stable table. What’s more, two people could dine upon it comfortably with room for share plates and bottles of wine (Haida Gwaii would make a great hook for a dangling ice bucket). To our dearest woodworking readers, we hope one among you will give it a try. Please show us when you’re done!” Earlier this month, and unbeknownst to us (until this afternoon), local photographer Dave Delnea left a comment on the post: “We thought the same, so we made our own for the office”. Take a look below. Follow up challenge: someone do the same using cedar!
(via) Metaphys, a design firm in Japan, gives us Ienami (“row of houses”), tiny home-shaped planters for mosses and succulents. They come in four types - Alley, Plaza, Tunnel, Zig Zag – and each one is roughly the size of a toaster.
Dwell takes a look inside and out of designer Jens Risom’s 60′s pre-fab holiday home on Brock Island, RI.
Each intersection has a personality that is characterized by its architecture, its environment, and the velocity of its traffic. They are markers, meeting places and transfer points; places where stories begin, end, or pass right on by. With that in mind, The Platform Gallery - in collaboration with Working Format, Lizzy Karp, Anthony Casey, and Luis Sanchez – came up with the idea to ask seven of Vancouver’s top graphic designers to create large 36″ x 54″ posters to represent a specified local intersection. These were Fraser & Kingsway, Main & Hastings, SE Marine & Knight St., Davie & Denman, Water & Carrall, 4th & Vine, and Broadway & Granville), with the design shops being 10four, Glasfurd & Walker, Post Projects, Seterah Shamdani, State Creative, Zach Bulick, and Working Format. The two posters above are just a taste. All of them will be revealed at Waterfront Station and other highly visible locations along the Canada Line route in February, with the series debuting at The Chinatown Experiment this Thursday night. See you there!
January 31 | | 6pm – 9pm | The Chinatown Experiment (434 Columbia) | Free | DETAILS
The Enlightenment Lamp | Studiomeiboom | $113 (10% to charity) | Details
If you’re a design wonk, it’s likely that you saw these faux-rock woolen pillows when they made the internet rounds a couple of years ago. Well, they’ve popped up again on several awesome-hunting sites this week, and chances are that your ardour for them has not yet cooled. If you’ve ever seen/felt them in the wild, you know they’re every bit as darn desirable as they look.
Virgin wool “Livingstone” floor pillows | prices/sizes vary | 8 week delivery | BUY
Tough call as to what’s better, the latte or the cool mug with new branding | 49th Parallel (2152 W 4th Ave)
We’d be pretty keen to lose a week in one of these showers by Berlin design house Meiré un Meiré.
Just…wow. We’re pretty happy with the library set-up that we have now, but we’d happily trade for Osaka’s “Shelf Pod” designed by Japan’s Kuzuya Morita Architecture Studio. More shots that’ll make the book-lover in you quake after the jump… Read more
I like that we can post to Scout using our phones; write articles for papers and magazines anywhere using Google Docs; and generally live a nomadic work life. But the bulk of the efforts that go into this website is sprung from pieces of furniture that are infused with deeper, more personal meaning than any other objects that we own. Our desks. Why? Because the traditional desk is still where most of us sit and think, create and communicate. A computer may sit upon it now, but it’s just another tool joining the stapler and pen jar. The desk remains our base of operations, and we dress their flat tops – with books, art and the things we hold most privately dear – to satisfy our need to reflect as human beings without losing our ability to concentrate on daily demands (both digital and analog). The “desktop” – as imagined by IBM and Apple – might often appear poised to make moot the seemingly archaic idea of “the old desk in Father’s study”, yet it’s still here; solid and purposefully weighted with personal history; the cockpit from which we navigate daily life. Thank goodness for that.