A no messing around guide to the coolest things to eat, drink and do in Vancouver and beyond. Community. Not clickbait.

Through The Viewfinder Of Photographer Andy Grellman

06302014_01_015

by Grady Mitchell | On his long walks through the city and frequent trips around the coast, photographer Andy Grellmann is gradually piecing together a visual survey of Vancouver and the region around it. His work is divided into albums dedicated to the various neighbourhoods within the city and the islands beyond it, each one like a photographic map.

Although always a visual kid, he didn’t discover photography until university, when he bought his first digital camera. Soon he experimented with film and found that medium format cameras better fit his developing style of mindful, quiet image making – the act of looking down into a viewfinder and slowly composing a picture suited his meditative approach.

It’s tough, he says, to name exactly what it is about a given scene that compels him to stop and make a picture. “It can have light, form, shape, composition, whatever.” He says. “If everything else is there but the content isn’t there, then I won’t take the picture.” Those other elements should not be the focus of the image, he says, but should instead serve that central idea. The essential “content” can take almost any form. “If what I’m feeling inside is projected back at me, then I’ll take a picture of it,” he says. Although he’s always shot this way, he’s only recently begun to contemplate the way he works.

Much of Andy’s work is still life or landscape, people seldom appear in his images. When they do, they rarely face the camera: most seem unaware that they’re being photographed at all, and those that do know are usually turned away, their eyes diverted from the viewer. Recently, however, he’s ventured into portraiture, inspired especially by August Sander, a photographer known for his highly-orchestrated portraits of pre-WWII Germans.

Back when Sander was shooting, having your portrait made was a rare event. These days, you can do it yourself in a smudged bathroom mirror in ten seconds flat. So what’s the value of a single image in a world so over-saturated with them? It’s an even more challenging question for someone like Andy, whose work doesn’t rely on flashy spectacle, but instead documents quiet, everyday moments. In a world so packed with imagery, it’s unrealistic and unfair to expect viewers to slow down and study each one. But for those that are willing to do so, the work of photographers like Andy offers rewards.

One of Andy’s most beautiful series is entitled Detache. It’s an assortment of small, enticing details: a pile of books, the luminescent glow of cracked eggshells, a drape wound around a bedpost. “Detachment” speaks to Andy’s role as someone removed from the action, a keen observer rather than direct participant. But in a greater sense it also describes the style of all his photographs in any of his series. In music, a detache is a quick, light stroke on the violin. In essence, a light touch. These little moments are, to Andy, the harvest of the small but profound act he pursues every day of “noticing poetry in your surroundings.”

  • 06302014_01_015
  • 35mm263
  • 6x7061
  • 6x6752
  • 6x6212
  • 6x6146
  • 6x6129
  • 06302014_01_011

EVERYTHING SEEN IN VANCOUVER

Scenes from Last Night’s Dine Out World Chef Exchange at The Acorn

The event saw a special collaboration between The Acorn and Wilsons from Bristol, UK. Although I wasn’t among the lucky ones to score a spot at either of the sold out seatings, I was invited to slip by pre-service for a glimpse of what was to come.

Yes Shef: An Evening In Images

A lineup of BC's most talented women working in the hospitality sector come together in in the Star Sapphire Ballroom at the Fairmont Pacific Rim for an exceptional cause at the WORTH (Women of Recreation, Tourism & Hospitality) Association's Yes Shef event...

Why Did Vancouver Make Front Yard Businesses Illegal?

In the latest video from the Vancouver-curious YouTube channel 'About Here', we learn of a terrible NIMBY move of yore.

This Mt. Pleasant Restaurant Features ‘Sadio’, the ‘World’s Saddest Patio’

Most nearby restaurants were allowed temporary patio permits. Wallflower was denied theirs, but it hasn't broken their spirit.