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VANCOUVERITES: Eight Minutes With Local Ceramicist Zoe Garred Of “Fleet Objects”

by Jenny Bachynski | Zoe Garred is the owner and designer behind Fleet Objects, a local design studio that heavily focuses on ceramic goods. With an elegant, fresh, and minimal look, it is hard not to appreciate Fleet’s ability to bring style to any space. Zoe has found a beautiful balance of artistry and functionality in her work. Most pieces seem to reflect the fluid, clean environment that they are surrounded by. I was very excited to meet up with her in person and discuss her best and worst moments (a fire in her last studio being one of them) and how they have allowed Fleet to evolve into the wonderful business it is today.

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Tell us about yourself and how Fleet Objects came to be? I think that everyone owns objects that they connect with on a deeper level. They can have a special history, change day to day living, or just be incredibly beautiful. I aspire to make objects that could become something special to people; that they will want to cherish. I don’t know if I’ve reached that level yet, but Fleet Objects is definitely a product of making the things that I’ve wanted in my life.

How has Vancouver inspired you as an artist? I’m deeply inspired by the ocean. Almost everything I make has something to do with it.

Do you remember the moment when you realized that you wanted ceramics to become a job or a business? I started making ceramics when I was a little kid but left it behind to pursue painting. I did a ceramic piece for my industrial design grad project and fell in love with the medium again. It’s such an interesting mix of art and science. I get a rush every time I open the kiln to see what my lump of clay has become. I think I always knew that I wanted to start my own business but it wasn’t until a fire destroyed my studio a few years ago that I had to make a decision about how serious I was about making that leap or letting my ceramics become a hobby.

Working with ceramics seems like such a technically challenging skill. How do you deal with off days or creative blocks? It’s definitely very technical. Most ceramicists I meet describe it as a love hate relationship. There are incredible highs when you pull an amazing piece out of the kiln but there are also a million things that can go wrong that you could never predict. It takes a lot of focus to try and replicate the same result over and over again. That being said I think that repetition and frustration helps me stay creative. I think most creative people need something to fight against.

If someone in Vancouver wanted to learn how to work with ceramics, how would they go about doing that? There are lots of ceramic courses at local art centers to help you get started. You can also learn on your own from books and online tutorials too. You just really need to have a space that you can dedicate to getting messy and find access to a kiln.

A lot of your work has multiple purposes. Is that something that was important to you in the designing process, or was it something that happened naturally? It’s definitely something I’m interested in. I live in a small space and rarely let anything stay in my house that I’m not in love with or is essential. So if I can make objects that can be used for multiple purposes or that are more efficient I think all the better.

Who is another artist that you look to for inspiration? I love the work of Eva Zeisel. I am very inspired by the fluid, organic forms she creates. I’m also really inspired by the Bouroullec brothers who seem to create effortless objects that you can’t imagine not having existed. I’m also really inspired by the way Jamie Haydon shows off materials in a dreamlike way.

What has been your proudest career moment so far? Pretty much any time I hear back about my work I think is incredible. It’s hard for me to imagine that all of those little pieces of ceramics that have left my studio are living their own lives now. I still can hardly believe it when people tell me that they know my work.

What are some exciting things happening in 2012 for Fleet? I just launched some new lighting and jewelry that I’m really excited about. They’re all inspired by fishing floats. If you’ve ever been in a fishing store I dare you not to want to fall in love with the awesome bright painted balsa wood or the giant crab fishing floats and nets.

If you were not running Fleet, what would you be doing? Still obsessing about making something. I can’t shake it. Maybe textiles?

Thanks Zoe! Find out more about Fleet Objects at www.fleetobjects.com.

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Jenny Bachynski was born and raised in Edmonton, Alberta. In her teenage years she packed up her bags and headed to Vancouver to pursue further education in fashion design. In 2009 she started her own small business Jenny Andrews Recycled Leather Goods, as well as her blog Jenny Loves. After starting her blog, Jenny discovered that one of her greatest joys was stumbling upon beautiful and interesting things, and sharing them with anyone who would listen.

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